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Armenian filmmaker Jivan Avetisyan’s “The Last Inhabitant” was screened on September 5 at the Venice Production Bridge of the Venice International Film Festival in Italy.

As the Fish Eye Art Cultural Foundation reported in a release, the film screening was held at the initiative of the organization’s Italian partner Blue Knowledge Association and personally its Director Orietta Trevisanato Zampieri. The event was carried out under the high patronage and with the direct participation of Luca Zaia, Veneto Governor (Administrative center - Venice).

According to the source, film director Jivan Avetisyan, co-producer Kestutis Drazdauskas, Executive Producer Adrineh Mirzayan and lead actress Sandra Daukšaitė-Petrulėnė were present at the film presentation.

The film screening was attended by public, culture figures, representatives of the film industry, distributors and sale agents.

The screening was followed by a cocktail party, during which the attendees shared their impressions on the film, expressing highly positive views.

“The Venice Film Festival is one of the unique events which evaluates the arthouse films, accepts and attaches importance to the films telling about human destinies, and it is not accidental that “The Last Inhabitant” gained an opportunity to be shown on the sidelines of an Italian film festival, under the aegis of the Veneto Governor, Luca Zaia. The first emotions I experienced are incredible. I am happy that my film, which I also consider as the film of the entire Armenian nation, lives beyond the Armenian borders and successfully presents itself at such prestigious film festivals. I hope the film screening will prompt the continuity of the Armenian-Italian cooperation, with the film to be also screened at the Italian cinemas.  We have great expectations,” the foundation quoted Jivan Avetisyan as saying.

The film crew also highlighted “The Last Inhabitant” as an international production. Executive Producer Adrineh Mirzayan underscored the role of the Diaspora in supporting the production of such Armenian films.

To remind, the film depicts the life in an Armenian village, evicted in the result of the Karabakh conflict. Abgar, the main character, stays behind all alone in a gradually shrinking enemy ring. He is waiting for his daughter, who has become a witness to her husband’s murder by an angry mob and was hospitalized with a mental disorder. An Azerbaijani named Ibrahim, for finding and bringing Abgar’s daughter, suggest that he work on the construction of a mosque. A few days later, Ibrahim finds the girl, named Yurga, in one of the psychiatric hospitals of Baku and brings her to Abgar.